Shawn Mendes Mercy Lyrics See You Again Lyrics

This music video centres effectually an aggressive functioning by Shawn tying with a metaphorical narrative of the singer drowning in the ocean trapped in a motorcar. This could be a symbolic reference to the pain and torture of an unstable relationship.

The opening long shot taken from behind Shawn in silhouette establishes the performance setting as he slowly walks towards the instrumentation. A wide sound of rough water crescendos during a friction match cut to a vast oceanic setting with a shallow depth of field, followed past a close-up of Shawn's hand gliding over the water in slow move.

Cross-cutting between these two environments is a frequent technique in this video to illustrate the pop rock nature of the performance, shown through musical instrument fix of guitars and drums. As well, to portray an equivalent pain and torture to a failing relationship.  Ane such cantankerous-cut occurs to prove Shawn in mid-shot continuing towards the instuments in tedious-motion revealing his identity.

The heaven is filmed in long shot underwater and after a shallow focus of the car door mirror in close-up, intense big close-ups of h2o filling the headlight with Shawn screaming underwater on the right sector of the frame add to the claustrophobic mood. He shakes his head frantically in desperation of escape and places his right hand abruptly on the car window, cueing the music.

The vast oceanic environment is emphasised by a wide angle shot of the h2o in shallow focus, which increases the tense and isolated atmosphere.

Continuity is disrupted as Shawn is seen earlier drowning underwater in large close-up. He is positioned tightly to the left sector of the frame, gazing abroad from the camera and giving a distressed facial expression to the rising water levels. The photographic camera itself is operated handheld tracking Shawn down to the h2o. This creates an unstable feel and enhances the tension of the fatal situation, which becomes primal to the narrative.

The performance element begins during the next cantankerous-cutting as Shawn sits at the piano, with his back to the camera in mid-shot. He is placed in the right sector of the frame to ensure the drums can be seen inside the frame in shallow focus. This maintains the rock genre feel. The shot is reversed as Shawn sings the opening lyrics, placing him in medium close-up and adhering to Andrew Goodwin'southward convention of identifying the performer. The performance is carried over during a lucifer cut back to the narrative of the video. Shawn's isolation becomes greater as he is filmed in medium close-upwards from outside of the machine window. Water droplets tin can be seen in shallow focus creating the sense of Shawn encompassed by the swelling tide with no means of escape.

The adjacent cross-cut introduces the guitar melody into the mix as Shawn selects a guitar in a depression bending mid-shot in shallow focus. An activeness match is used as he picks 1 and beingness to perform on the cue of the guitar tune in medium close-upward.

Shawn prevails to "open door" later on gripping the steering bicycle tightly in medium close-up. The handheld photographic camera pans right aggressively equally the tension continues to enhance. Some other cross-cut follows tracking correct towards Shawn in a mid-long shot with the drum kit dominating the frame. The lighting remains low key and provides a sense of eeriness. The shot is subsequently reversed continuing to track behind Shawn'southward caput. Some other shot reversal follows in mid-shot which uses directional lighting to ensure the guitar is prioritised as the melody begins to build into the chorus. A fast action match of Shawn's face in medium close-up reveals his tense and volatile facial expression creating a surge of energy into the chorus.

As the chorus enters on a strong downbeat, a rapid cantankerous-cutting to Shawn in big close-upwards in his auto enhances the feel of isolation as he anxiously stares at his impending fate. A series of cuts between the h2o rise in shallow focus and his helpless position from outside the windscreen, intensified past a lens flare across the drinking glass, diminish Shawn's chance of survival. An unsteady wide angle shot of the bounding main provides footling run a risk of hope in escape.

The camera tracks around Shawn'due south back while playing the guitar and tilts down in the direction of the spotlight, pinning Shawn to the left sector of the frame. This could be interpreted as symbolic with the lite representing a blink of hope and 'mercy' as a religious connotation.

A cross-cut back to the machine farther deplores Shawn's position as h2o droplets are visible on the window with a clear level indicator of water in the lower sector of the frame at a low bending. Furthermore, he is positioned tightly to the left sector of the frame which increases altitude from the viewer. A close-upward of the steering wheel in the left sector of the frame features water ravaging through the window seals in shallow focus, creating more tension to the danger of Shawn's position. The terminal shot in the electric current car sequence is at a canted angle with Shawn in a shallow focus medium close-up to let greater accent of the condensation on the window. A spotlight representing the sunday provides a directional light and a 360 caste feel outside the car, as though a oceanic vortex is swallowing the auto from outside.

We then come across a cross-cut to a close-up of Shawn'southward easily playing pianoforte chords with the drum kit in shallow focus in the background. This is followed by a medium close-up of Shawn standing to sing the lyrics. The edit in the sequence progresses through these shots on the strong downbeat of the pulsate pattern.

A wide bending shot of gushing water is followed past a more rapid cross-cut tracking to the right of Shawn in mid-shot ensuring the drum kit dominates the frame linking to the genre.

Frantic handheld camera movements with Shawn in medium close-up go along to enhance the force per unit area of his dire state of affairs. Filming exterior the car window softens the already tiresome array of colours which connote the idea of losing forcefulness to survive.

This tense and ambitious mood is emphasised by Shawn'southward snarling facial expression in close-up during the performance. His position within the composition allows the directional low-cal to create shadows on the rest of his body and ensures the cymbals are visible in shallow focus.

Following in cross-cut is a big close-up of Shawn creating a sense of helplessness by not engaging center contact with the camera. This department ends with Shawn in medium shut-up in the right sector of the frame, gazing upwardly as the guitar embellishment plays.

During the next cantankerous-cut, Shawn is isolated in the left sector of the frame in medium shut-upwardly with the h2o level at present clearly prominent in the lower sector of the frame. In that location is also a simple link between lyrics and visuals with a reference to "bulldoze through the dark", which could indicate how Shawn managed to end up in his fatal position.

In the performance setting, the drums remain central to the frame as Shawn places his guitar down. The guitar melody has dropped out at this point. Shawn motility to heart of the frame as the photographic camera continues to runway to the right. He brushes through his hair with his correct paw in the centre of the spotlight, which could be used to attract a wider female person audition.

Cross-cut back to the motorcar, we see Shawn moving between both motorcar doors in a handheld mid-shot from outside the windscreen. The potent spotlight used earlier softness the colours creating a dim and eerie mood. Returning to the performance setting, Shawn sits at the drum kit as the camera continues to track right around Shawn'southward back partially showing the pulsate kit in anticipation.

At i.46, Shawn is barely visible in a shallow focus medium close-up as his anxiety deteriorates seen with him hitting the roof of the car. He is almost in silhouette with h2o aerosol more apparent suggesting he is losing his fight to escape.

Key in preparing for the next chorus is a long shot featuring the full array of instruments in the song. The low fundamental lighting with a spotlight on Shawn in the heart of the frame provides a gripping and anticipatory feel which is enhanced past a calorie-free dolly shot motion edging closer towards Shawn.

A close-up of the bass pulsate creates of surge of energy chop-chop followed by a large shut-upwardly of the left side of Shawn'southward face illustrating the sweat pouring off him and linking to the trigger-happy stone feel to the functioning with a darker feel as the directional light is behind him.

The aggressive rock mood in the chorus is ignited by Shawn in a mid-long shot nifty the drum sticks brashly onto the pulsate kit. This sequence continues to cantankerous-cutting betwixt his isolation within the car.

The camera tracking motion ensues effectually Shawn in the performance as revolves around the piano revealing Shawn'southward panic as he moves his easily away from the piano and grips his head. This is an example of the camera physically moving beyond the 180 degree boundary.

Shawn'south facial expressions within the car are at present profoundly wild with terror in medium close-up as he is forced to the left sector of the frame in a shallow focus with the water ravaging beneath.

Different previous tense scenes within the car, at 2.11 Shawn face is obscured off the left sector of the frame in a big close-up canted angle. The water level is strikingly profound and implies the automobile is now kickoff to angle towards the depths.

While in a mid-shot, Shawn kicks towards the camera which results in a handheld tilt towards the roof which enhances the depreciating amount of infinite within the cabin.

A wide angle shot of the operation infinite diminishes Shawn's position and contrasts with the cramped and claustrophobic space of the car without removing whatsoever sense of intimacy with the performer.

As the h2o rises to its tiptop, Shawn turns helplessly toward the camera in medium shut-up clenching to the roof engulfed by the rising levels. At that place are elements suggesting a cyclical structure as the water engulfs the headlight.

The guitar is featured over again in close-up as Shawn play the guitar tune. The camera tilts up every bit he shakes his head abruptly to the volatile drum beat. During the adjacent cross-cut, Shawn arches his posture over the left sector of the frame as the water rushes through in the background. The texture of the music thins to a simple guitar motif. This is illustrated by Shawn'south right hand picking the guitar strings in close-up which slightly reduces the dramatic action unfolding in preparation for a crescendo through the span department towards the final climactic chorus. A camera track to the right in a wide angle shot follows which enhances the thinner texture. At 2.39, Shawn in big close-upwardly snarls and furrows his eyebrows in slow motion which displaces the electric current pace of time, assuasive the viewer to connect with his anxiety with more clarity.With determined eye contact, Shawn stares straight at the camera in this long dolly shot with the total assortment of instruments effectually him, amplifying the bulletin "I'm prepared to sacrifice my life" which suggests he would endure all the hurting and torture "twice" to mend a broken relationship.Fast pace edits follow alternating with each alter of harmony in the guitar chords which provide a surge in energy before drastically dropping out to a reverb. A heavy water swelling sound accompanies.

At 2.54, Shawn in big shut-upward falls below the water tracked by the camera. Bubbling arise from the headlight and Shawn tries to smash the window with his wrist. The photographic camera shows this from outside the window to imply he has little chance of escaping from a h2o grave. The chorus resumes later Shawn releases his breath underwater in big close-upwardly unleashing a flurry of air bubble with a horrific facial contortion.In a traditional climactic scene of the rock genre, Shawn smashes and breaks his musical instruments with the directional light. A sense of hope and salvation is accomplished as Shawn swims towards the surface with the sun glimmering downwards in the top center of the frame. He rises in big shut-upwardly out of the water and with reference to the cyclical structure, an action match across the hazy oceanic setting reveals his entire trunk emerging from the depths. Later more cross-cuts to the performance infinite, Shawn hums the final outro melody gazing exhausted in close-upward with the handheld camera. An action match to a low bending mid-shot shows his muscular physique in a t-shirt. This would appeal to a wider female audition.

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Source: https://christophersa2theoryformediastudies.wordpress.com/2016/11/14/music-video-textual-analysis/

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